'O' is a study in artistry in Las Vegas

Often described as surreal and ethereal, Cirque du Soleil’s landmark production “O” at Bellagio is more than the Montreal-based entertainment giant’s most successful show around the world. It’s one of the most technically advanced theatrical presentations anywhere, arguably equally iconic in Las Vegas to the wondrous dancing fountains that front the hotel and casino at the heart of the Strip.

The water is perhaps the most celebrated element of “O,” the 1.5-million-gallon pool that serves as the diffuse foundation of one of the Strip’s all-time greatest venues. No matter how many times one has visited this theater inspired by a 14th-century European operahouse, the way that water is used so masterfully to convey the idea of infinity and other otherworldly themes continues to astound.

It’s been 23 years since “O” arrived at Bellagio, and Las Vegas has never been the same. Without a doubt, it is recognized as one of the most influential pieces of entertainment in the city that built a reputation for doing just that. But one of the show’s defining characteristics, and something that could never be duplicated on another stage, is the sheer number of visual scenes that float across this aquatic stage during the performance.

The original creators of “O,” including writer and director Franco Dragone and director of creation Gilles Ste-Croix, first envisioned an avant-garde piece where the entire physical appearance would change every few minutes. That ambitious endeavor evolved into the current production that moves swiftly through unbelievable, dreamlike scenery while showcasing the unique athletic artistry of its international cast.

Once the curtain rises and the stage is revealed, the introductory scene makes dramatic and immediate use of the beautiful proscenium as red-coated characters fly across the space and a trapeze duo act sets the tone. An island arises in the middle of this magical body of water and an impressive hand-balancing act performs on seemingly stable ground, a physical connection that gradually builds the scale of the show.

Just when it seems things have taken a serious turn, it’s time to bring out the clowns, resting on the roof of their floating home. “O” is constantly, effortlessly balancing between scenes of smile-inducing whimsy and emotional, high-tension moments.

Different styles of dance are represented, as are unique, age-old circus performances, all powered by a full live band and vocalists injecting unlimited energy into the theater from their two studio rooms perched above both ends of the stage. Be careful with how long you allow these amazing musicians to attract your attention, because at any moment a skeletal ghost ship might appear above the water for its acrobatic voyage.

Of course, everyone has their favorite acts and scenes from “O”: perhaps the joyous celebration when the acrobats emerge to play on the powerful Russian swing; or the near finale when a trapeze artist descends from above balancing on her head; or the inside-joke, blink-and-you’ll-miss-it moment when the show’s underwater scuba crew quickly surfaces like a squadron of beached seals. There are times to laugh and cheer and times to sit quietly, stunned at the artistry and befuddled at the creativity behind this masterpiece. And then there is the desire to come back and see it all over again.

Bellagio, 888.488.7111

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